Rollin' And Tumblin' (Live) : Muddy Waters. most obviously with the line, “I’ve been conjuring up all these long dead souls from their crumblin’ tombs,” which could well be what he is doing throughout; taking past tunes, lyrics and chord sequences. The warm weather’s comin’, the buds are on the vine Lyrics to 'Rollin' and Tumblin'' by Muddy Waters. [5] A recording from May 1968 is included on Live Cream (1970), which is described in an album review as a "searing, rollicking high energy rendition". “behind the whole album” …..yes, but behind many many of Dylan’s works as well. But there is an important point here. There’s no reason for this, but it is part of the tradition of the song, and something that the blues singers of the 1920s (who often performed solo) would often do. Everybody got to wonder what’s the matter with this cruel world today. [3] Newbern's "Roll and Tumble Blues" is a solo piece with his vocal and slide-guitar accompaniment. Dylan is saying, I’m looking at the past, looking at old song, old rhymes, from Ovid to the blues to Bing Crosby, and seeing where their relevance is to us in these Modern Times. I don't think I'm goin' out anymore You better find some other body to comfort. [7] Musically, his version is based on the original, but added new lyrics: "where Newbern sang about love, Robert sang about sex and power, combining his own fears of them with the fantasy of controlling them", according to biographers. 03. rollin' and tumblin' in mean town 04. walkin' the dawg 05. lay down your crutch 06. saving grace 07. cc rider 08. cathead biscuit 09. walkin' the walk 10. goldfish bowl blues 11. luv thang 12. listen to your heart 13. love junkie 14. catfish / make love to you [11], Blues historian Edward Komara notes that subsequent versions by rock groups are based on the Muddy Waters versions, with the one recorded by Cream for their debut album, Fresh Cream (1966) as "perhaps the best known". Should I take your reds, your blues, and your cocaine? I can’t prove that this simple theory is true, but it works for me. Required fields are marked *, The meaning behind the music and words of Bob Dylan, I got troubles so hard, I can’t stand the strain, I got troubles so hard, I just can’t stand the strain, Some young lazy slut has charmed away my brains, Well, I get up in the dawn and I go down and lay in the shade, I get up in the dawn and I go down and lay in the shade, I ain’t nobody’s house boy, I ain’t nobody’s well trained maid, Well, the warm weather is comin’ and the buds are on the vine, The warm weather’s comin’, the buds are on the vine, Ain’t nothing so depressing as trying to satisfy this woman of mine, The night’s filled with shadows, the years are filled with early doom, I’ve been conjuring up all these long dead souls from their crumblin’ tombs, Let’s forgive each other darlin’, let’s go down to the greenwood glen, Let’s put our heads together, let’s put old matters to an end, I’ve been conjuring up all these long dead souls from their crumblin’ tombs”. Let’s forgive each other darlin’, let’s go down to the greenwood glen most obviously with the line, “I’ve been conjuring up all these long dead souls from their crumblin’ tombs,” which could well be what he is doing throughout; taking past tunes, lyrics and chord sequences. constantly comes back to me as the key to the thinking behind  the whole album. But no matter how often I hear this song, that line from Ovid, “I’ve been conjuring up all these long dead souls from their crumblin’ tombs” constantly comes back to me as the key to the thinking behind  the whole album. I always think it has to be: ‘you two shall burn’: mr Jones en co. Comment and share your favourite lyrics. McKinley Morganfield was born on 4 April 1913, 1914 or 1915 in Mississippi (poor black folk in the US south often didn’t adhere to the rules of registering births because society didn’t care if they lived or died). Explain your version of song meaning, find more of Muddy Waters lyrics. The lyrics follow a standard blues AAB pattern and relate a failed relationship: And I rolled and I tumbled and I cried the whole night long (2×) His lyrics run.. “Don’t you never let one woman rule your mind Watch official video, print or download text in PDF. And you wring your hand and you cry the whole day long”. The Levee’s Gonna Break: the meaning of the music and the lyrics, http://thebobdylanproject.com/Song/id/530/Rollin-and-Tumblin, All Directions: Dylan before the basement, More Than Flesh And Blood part VIII, Unsaddle, Charley, Beautiful Obscurity: Acquaraggia play Dylan: a new experience, Beautiful Obscurity: such different renditions of Spanish Leather, More Than Flesh And Blood part VII: The line dances a jig. It shares several elements of "Minglewood Blues", first recorded in 1928 by Gus Cannon's Jug Stompers. Discover releases, reviews, credits, songs, and more about The Rockets - Rocket Roll at Discogs. Did you ever wake up and find your dough roller gone Don’t have an account? Well, I rolled and I tumbled, cried the whole night long Well, I rolled and I tumbled, cried the whole night long Well, I woke up this mornin', didn't know right from wrong Well, I told my baby, before I left that town [4] A key feature of the song is that the first verse begins on the IV chord, rather than on the more usual I chord (e.g., in the key of A this would be the D chord rather than the A chord). Lyrics: http://easylyrics.org/?artist=Eric+Clapton&title=Rollin%27+Tumblin%27Thanks for checking out our videos and site! [12] As another noteworthy rendition, Komara includes the Yardbirds' tribute "Drinking Muddy Water" and notes singer Keith Relf's harmonica playing on the Little Games studio version and Jimmy Page's slide guitar solos on the live version that first appeared on Live Yardbirds: Featuring Jimmy Page (1971) (released by Page in 2017 as Yardbirds '68). He was fascinated by music and began playing guitar and harmonica in his teens, modelling himself on Robert Johnson an… Dylan is saying, I’m looking at the past, looking at old song, old rhymes, from Ovid to the blues to Bing Crosby, and seeing where their relevance is to us in these Modern Times. On a session for the Parkway label, he was the guitarist with Little Walter (vocal and harmonica) and Baby Face Leroy Foster (drums). [9] Gordon called their version "exciting", but felt that it did not have the power or passion of the one with Walter and Foster. It has a simple beat accompanied by that disinctive slide guitar sound, wailing harmonica, and throaty vocals. Dylan’s version is close to the Muddy Waters approach musically, but after the first two lines the lyrics are his own – or at least Dylan’s own with reference to Ovid and possibly others. Should I take something to try on the weekend? Predominantly performed using slide guitar technique, the song has no established lyrics except for the title which is varied in the first stanza, so each performer usually adds their own storyline. If playback doesn't begin shortly, try restarting your device. Hambone Willie Newbern recorded "Roll and Tumble Blues" on March 14, 1929 in Atlanta, Georgia for Okeh Records. shows us that this has been done very clearly and precisely. ... Michael tells the story of "Send Me On My Way," and explains why some of the words in the song don't have a literal meaning. It seems a fair enough description. Ain’t nothing so depressing as trying to satisfy this woman of mine. Let’s forgive each other darlin’, let’s go down to the greenwood glen His mother died young and he was raised by his grandmother, who was amused by her grandson’s inclination to muck around in muddy water; she called the toddler Muddy. It encompasses everything from what you think a blues song should be. One other feature that turns up in some (but not all) of the variant versions of the song is that the number of bars is highly unusual. You must get yourself a houseboy, And a well-trained maid, who can hint What gifts will be welcome. The night’s filled with shadows, the years are filled with early doom Who’d have thought it… Ovid and the blues. And I rose this mornin' mama and I didn't know right from wrong ... When I was trembling baby … The problem with “Modern Times” is that one can spend forever looking at the sources of Dylan’s lyrics and music, and then forget the Dylan’s version which is a really decent version of a classic blues, mixed with lyrics that come from the most unlikely source. ‘Rollin’ and Tumblin’ has since been recorded by countless artists eager to tap into the roots of the blues; among them Bob Dylan, Canned Heat and Eric Clapton. And later still we have the crumbling tombs line, a line which, the more I have heard it over the years, the more I have thought, this is the core of the whole album. View by: Highest Rated; Most Recent; Oldest First; No Comments Add your thoughts. Your email address will not be published. More Than Flesh And Blood: VI – Muddy kickin’ in your stall, Untold Dylan: “I’ll let you be in my dream if I can be in yours”. I get up in the dawn and I go down and lay in the shade Singles. Don’t you wish your girl was li’l and cute like mine Sooner or later you too shall burn Muddy Waters's first 78 rpm record in 1941 listed him using his birth name, McKinley Morganfield. Info. [1] Called a "great Delta blues classic", it has been interpreted by hundreds of Delta and Chicago blues artists, including well-known recordings by Muddy Waters. Watch later. I want some real good woman to do just what I say She conjures up long-dead souls from their crumbling sepulchres  And has incantations to split the solid earth. Many have gone before me commenting on the connection between “Thunder on the Mountain”, with the line “I’ve been sitting down studying The Art of Love.”   This relates to The Art of Love by Publius Ovidius Naso (20 March 43 BC – AD 18) known to his pals as Ovid. Copy link. [5] Biographer Robert Gordon described the performance as a "standout track [which] could have easily have disintegrated into an overenthused party record". It seems a fair enough description. And it is Rollin and Tumblin where Ovid really does pop in to say hello. I’ve been conjuring up all these long dead souls from their crumblin’ tombs, Let’s forgive each other darlin’, let’s go down to the greenwood glen Said "that's all right sweet mama your trouble gon' come some day". The song is performed in the key of A using an open tuning and an irregular number of bars. "Rollin' and Tumblin'" (or "Roll and Tumble Blues") is a blues standard first recorded by American singer-guitarist Hambone Willie Newbern in 1929. The extra bar is achieved after the first line of each verse by adding one extra run of the instrumental line, so you hear it three times rather than twice. Some young lazy slut has charmed away my brains, You don’t get much more blues than that. View credits, reviews, tracks and shop for the 1968 Vinyl release of "Rollin' And Tumblin'" on Discogs. North Mississippi Allstars -- "Rollin' and Tumblin'" live at High Sierra 2013 in Quincy, CA with Jam in the Van. Recorded in the year 1950 at Chess label. "Roll and Tumble Blues" is one of six songs Newbern recorded during his only recording session. it’s not all the woman’s fault, because: "Rollin' and Tumblin'" (or "Roll and Tumble Blues") is a blues standard first recorded by American singer-guitarist Hambone Willie Newbern in 1929. Rollin' and tumblin' So should I take everything, all your temporary medicines? [9] For Aristocrat Records, Waters sang as well as played guitar with bass accompaniment by Ernest "Big" Crawford. And indeed in Rollin and Tumblin we find the houseboy and maid popping in to say hello. General CommentThis song was Origionally by Robert Johnson under the name of "If i had Possession under Judgement day" and then was adapted by Muddy waters into "Rollin' & Tumblin'", It has had many covers and Dylan has now covered this song with his own lyrics. I ain’t nobody’s house boy, I ain’t nobody’s well trained maid, Well, the warm weather is comin’ and the buds are on the vine That you hardly notice this is a testament to Dylan’s musical ability. And I rolled and I tumbled and I cried the whole night long And I rose this morning, mama, and I didn’t know right from wrong, “Did you ever wake up and find your dough roller gone Complete your The Rockets collection. She’s a married woman, but she comes to see me all the time”. This is not to say that there is a deep literary reasoning going on here – Dylan might well have read Ovid and picked out these lines and then woven his version of this old blues tune around them – we really can’t say. Let’s put our heads together, let’s put old matters to an end. [8], In 1950, Muddy Waters' recorded two early versions of "Rollin' and Tumblin'". [8] The song was not released until 1961, when it was included on the first Johnson compilation album, King of the Delta Blues Singers. The Rockets Rocket Roll ℗ 1982 Elektra Entertainment Group Auto-generated by YouTube. With these sentences: Dylan Obscuranti: Track 10: What kind of friend is this? The song “Rollin’ and Tumblin’” is a classic blues song from the early days of the modern blues pioneers. Rollin' and Tumblin' Lyrics: I don't think I'm going out anymore / You'd better find some other body to comfort / When I was trembling, baby, you was a diamond / … It was released before the advent of race records charts, however, it soon became "an oft-covered standard"[6] and Newbern's best-known song. It adds to the drive of the song, and one never tires of hearing that drop from IV to I. Shopping. He also based his "Traveling Riverside Blues" on Newbern's song. [13][14], Blues standard popularized by Muddy Waters, "Rollin' and Tumblin': The Story of a Song", "Hambone Willie Newbern: Artist Biography", Live at the Checkerboard Lounge, Chicago 1981, Rollin' Stone: The Golden Anniversary Collection, Royal Albert Hall London May 2-3-5-6, 2005, You Can't Judge a Book by Looking at the Cover, Most Likely You Go Your Way (And I'll Go Mine), Let's Work Together: The Best of Canned Heat, Let's Work Together (Let's Stick Together), True to the Blues: The Johnny Winter Story, https://en.wikipedia.org/w/index.php?title=Rollin%27_and_Tumblin%27&oldid=1012221198, Short description is different from Wikidata, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with multiple identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 15 March 2021, at 07:15. "Rollin' and Tumblin'" är en bluessång först inspelad av Hambone Willie Newbern som "Roll and Tumble Blues". 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